Diablo Cody dishes on new film, feminism, body image
The incomparable Diablo Cody is on the cover of the Aug./Sept. copy of Bust magazine. The Candy Girl author and Juno screenwriter dished on her new horror film, Jennifer’s Body (named after a Hole song) and why the world needs to see more size-10 women naked. Here’s a few highlights from Jill Soloway’s interview with Cody:
On Jennifer’s Body [For a brief synopsis of the film, read here]:
…I decided instead to write a genre movie that reminded me of The Lost Boys and all the kind of movies that I used to watch when I was growing up, in the ’80s. And that’s what this movie is. What really appealed to me was the idea of working with a female director [Karyn Kusama]. I’m sure somebody will prove me wrong, but I had never heard of a woman director and a woman screenwriter creating a mainstream horror film.
…It’s really about girl-on-girl crime. It’s Mean Girls taken to an extreme. When the alpha girl becomes cannibal-like, nitpicking is no longer enough. Now she has to literally consume flesh… She eats men.
…The movie also references eating disorders. Jennifer’s eating habits revolve around a binge-purge cycle. She actually throws up before she eats. She’s possessed. She vomits disgusting black bile on her victims before she eats them. But in one of my favorite scenes, she’s binge-eating out of her refrigerator. I thought to myself, “Man if we aren’t getting that across…” I was happy about that.
On feminism, nudity and self-image:
I’m a 31-year-old feminist in Ugg boots and a T-shirt, so it’s funny to me when anyone accuses me of trying to be sexy or cute. I couldn’t do that if I fucking tried. I’m full-on rocking this post-feminist-academic-stripper attitude because I’m trying to confront, not titillate.
…I have no shame about nudity and I feel like nudity is confrontational in a way. Maybe the world needs to see a size-10 woman naked. Maybe they need to see my cellulite. I kind of feel that I would love to put that out there. Any time I do a red carpet, I feel vaguely confrontational. I feel like, “All right, now somebody’s going to come onto the carpet who doesn’t have a stylist, who did her own hair and makeup, who’s wearing a $25 dress from H&M. I have cellulite. I have big hips and big thighs. And you have to look at me.” I feel like people have to pay attention to someone who would typically be invisible.








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