Susan Boyle gets makeover
When Susan Boyle takes the stage again in the next round of Britain’s Got Talent, gone will be the frizzy, grey-haired dowdy spinster. Meet the new, sleeker, more cosmopolitan Susan Boyle.

(The photo above was shot for a feature on the singing sensation in The New York Times fashion and style section.)
The breakout star showed off her newly dyed hair, stylish new cut, trendier duds and even-complexioned self outside her home in Scotland this week. She also had her eyebrows waxed and shaped and swapped her sensible shoes for chic high heels. Total cost for the new ‘do? About 35 pounds, or $50 U.S. dollars. Considering that I drop more than twice that on color, partial highlights and a cut and style, I think Susan’s transformation was a steal.
Not everyone is enthusiastic about Susan’s mini-makeover. It’s been reported that producers at Britain’s Got Talent are “frantic” over the changes. Remember judge Amanda Holden’s comments when we discussed Susan Boyle last week? “She needs to stay exactly as she is because that’s the reason we love her. She just looks like anybody who could live on your street,” said Holden. “The minute we turn her into a glamour-puss is when it’s spoilt.” Show producers had apparenly hoped Susan would maintain her dowdy appearance throughout the live finals assuming that the reason for her astronomical rise to fame lie not in her voice, but in her plain Jane every(wo)man appeal. Indeed, there are fans who say they feel betrayed by Susan’s new look and accuse her of selling out.
In an interview with CNN last week, the 47-year devout Catholic vowed to stay true to herself, adding “I wouldn’t want to change myself too much because that would really make things a bit false. I want to receive people as the real me, a real person.” I don’t think this makeover has changed that. Susan’s not parading about in a metal-studded leather bikini and faux tan, popping weight loss pills, going under the plastic surgery knife and pasting platinum blonde extensions onto her head. Her new look is more sophisticated, but it’s also quitely subdued, age-appropriate and still representative of the average everywoman… okay, maybe one who has cable and follows What Not to Wear. Susan didn’t change her looks so much as she simply enhanced them. And if a new haircut, makeup and a Burberry scarf make her feel more empowered and confident, I say more power to her.
When Susan’s audition video went viral, websites, blogs and messageboards were abuzz with talk of the frumpy spinster who was mocked, jeered and dismissed because of her unremarkable looks and then proceeded to bowl the world over with her remarkable voice. As HuffPo blogger Andy Borowitz summed it up: “…those exposed to the Susan Boyle phenomenon are grappling with the paradox – thought impossible up until now – that an ugly person could be talented.” Susan focused international attention on how we stereotype and categorize people by how they look and how we fall victim to the prejudices of look-ism, sizeism and ageism. The hullabaloo now over Susan’s makeover only reinforces how some people still don’t get it. We go on ad naueseum about how Susan Boyle teaches us that we need to look past superficial, surface-based biases to find the inner beauty, intelligence, talent, courage and humility in all people and then feign outrage when Susan alters that look. Are we really so concerned that Susan has sold out to the establishment or does our indignation stem more from the fact that we can no longer hold up the ugly duckling-turned-swan as emblematic of our own self-righteous tolerance. We like this dowdy virgin spinster, so therefore that must mean WE aren’t as shallow as those eye-rolling audience members who judged and dismissed her because of how she looks. Keep in mind, Susan did not ask to be made into a token of our collective hypocrisy nor did she set out to become symbolic of the common every(wo)man who are now living out their own failed dreams vicariously through her. All Susan Boyle did was step out on that stage with the intention of singing a song and it is that talent — not the way she looks or the clothes she’s wearing — that should be judged when she takes the stage again on May 23.








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