Anorexia awareness art exhibit: Helping or hurting?
Artist and photographer Ivonne Thein opened her exhibit “Thirty-Two Kilos” Thursday at the Goethe-Institut Washington. The title refers to the weight (about 70 pounds) of French actress Isabelle Caro, who recently posed naked for ads condemning anorexia. Thein, 29, used her friends as models and then digitally altered the images so that they appear emaciated, wrapped in medical bandages and contorted — all in an effort, she says, to make a critical statement about anorexia and pro-ana websites.
Of course, as you can deduce, those who frequent pro-ana sites are already gleefully embracing the highly-distorted and completely unrealistic images as “thinspiration,” but Thein insists that it wasn’t her intention to provide even more fuel to the pro-ana fire. “It’s important for me that if I show my pictures, there’s a statement that it’s a critical position and I don’t glamorize anorexia,” she said in this Washington Post story.
Oh, really? I’m not seeing it.
One one hand, I respect an artist’s right to pursue their passion and subject matter of choice and I appreciate Thein’s intention with this exhibit. And as an artist and photographer myself, I also must admire the flawlessness of the digital manipulation here. But I am also an eating disorders awareness activist and so I have to also question the extreme disconnect between Thein’s intention and the ways in which the exhibit will be interpreted by a mass audience. The edgy, couture nature of the photographs gives not the sense of aghast horror deserving of anorexia, but instead glamorizes the subjects and even thinness itself. While Thein covers the subjects’ eyes in an attempt, she says, to divert focus onto their bodies, each model sports luscious, flowing locks of hair the kind you’d never see on someone with a serious eating disorder (symptoms of malnutrition include brittle hair and hair loss), and perfectly-toned, flawless skin (other symptoms of anorexia are dry and yellowish skin, abdominal edema, lanugo and easy bruising from anemia). These women are also shown in poses that mimic running or difficult stretches — movements that would be difficult to impossible for someone whose bones, muscles and very body are atrophying from serious anorexia.
In short: Thein’s exhibit might get a brief tsk-tsking about the dangers of anorexia, but its lasting legacy will be more to serve as thinspirational images for girls and others hellbent on self-destruction.
View the images on Thein’s site (featured under the artwork link) and decide for yourself (they are, needless to say, very triggering). Is the exhibit helpful or hurtful for people susceptible to and/or who have an eating disorder?








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