Wall-E revisited
My two posts — here and here – on Pixar’s Wall-E last fall drew strong reactions across the spectrum. At the time, the film was still in its developmental stage. I based my conclusions on the reviews of those who Pixar permitted to view the then-unfinished version. Those reviews overwhelmingly commented not on the film’s much-needed environmental cautionary messages, but on the ways in which fat people were portrayed to be the cause of the earth’s demise. I haven’t seen Wall-E yet, but from what I read, Pixar reworked the film to tone down its negative and discriminatory portrayals of fat people.
Since the release of Wall-E a few weekends ago, the linkbacks and comments to my earlier posts began to increase yet again both from people who saw the film and were still irked by the characterizations of fat people and from others who presented dissenting opinions with various degrees of outrage and taste. I’ve received two media inquiries this week from newspapers who plan to address the issue and want my input, and my blog was featured (and quoted out of context) today on The Onion. I declined both media requests because I don’t feel comfortable commenting until after I’ve seen the film. I’ve been spending every spare minute lately on my massive landscaping project, but the husband and I might take a break this weekend and shell out the $18 bucks to see a matinee showing of Wall-E. I’ll offer my own review then.
I heard part of an interview with Wall-E writer and director Andrew Stanton yesterday on NPR’s Fresh Air — listen to it here. One criticism hurled at the film is that it’s more like a “90 minute lecture on overconsumption” than entertainment. I’m glad that Wall-E addresses this and other environmental issues, because sustainable living is something that my husband and I also believe in and try to practice. Still, I remain disappointed in that while Pixar seems to have toned down its discriminatory characterization of fat people, stereotypes still abound. According to Daniel Engber’s column today on Slate.com:
Wall-E is an innovative and visually stunning film, but the “satire” it draws is simple-minded. It plays off the easy analogy between obesity and ecological catastrophe, pushing the notion that Western culture has sickened both our bodies and our planet with the same disease of affluence. According to this lazy logic, a fat body stands in for a distended culture: We gain weight and the Earth suffers. If only society could get off its big, fat ass and go on a diet!
But the metaphor only works if you believe familiar myths about the overweight: They’re weak-willed, indolent, and stupid. Sure enough, that’s how Pixar depicts the future of humanity. The people in Wall-E drink “cupcakes-in-a-cup,” they never exercise, and if they happen to fall off their hovering chairs, they thrash around like babies until a robot helps them up. They watch TV all day long and can barely read.
We all know the stereotypes: fat people eat too much; fat people are lazy and don’t exercise; fatness is completely a lifestyle choice and ad nauseum. Engber goes on to briefly discount and invalidate these stereotypes and points out the obvious biasness of a media and culture steeped in sizeism:
Despite all this, there’s an endless appetite for stories linking obesity and environmental collapse. Pounds of fat and pounds of carbon are routinely made to seem interchangeable. …These calculations show the obesity-ecology metaphor run amok. Like other spurious estimates of the “cost of obesity,” they leave out important, mitigating variables. …The desire to link obesity and environmental collapse seems to have more to do with politics than science.
Some bloggers have taken my comments on Wall-E out of context and characterized me as some kind of mean-spirited ogre who has issued a hit on the company’s innocent little spotlight. People have written that I’ve called for a boycott of Wall-E and Pixar when I have asked no such thing. And, of course, if you write about the injustices of weight-based discrimination, you must be fat yourself, because only fat people care about such things. I like Pixar, I really do. My friends and I saw Toy Story three times in the theater, and I’ve since watched most of the movies the company has released. My concern now is on the kind of light that same charming spotlight shines on fat people. As Engber concludes:
All this may be enough to leave some overweight viewers of Wall-E in tears. It’s easy to imagine how they might respond to Pixar’s dystopic vision of our fat future, in which puffed-up bodies are played for cheap laughs. What happens when the movie ends and the lights come up? Does the rest of the audience stare at the lone fatty as she waddles her way toward the theater doors? Do they see in her body a validation of the film’s “darker implications”—a signpost for what we might become if we don’t change our ways? Or do they just scowl at her, convinced that she’s part of the problem?
Have you seen Wall-E? How did you perceive its characterizations of fat people?
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