Tyler Perry’s “Why Did I Watch This Film?”
I’ve never watched a Tyler Perry film before. There’s just something about fat-lady drag slapstick comedies that somehow manages to both disgust and offend me.
But Perry’s latest film, “Tyler Perry’s Why Did I Get Married” is garnering rave reviews, even beating out films starring George Clooney (swoon) and Cate Blanchett to rake in more than $21 million.
The film focuses on eight married college friends, who take a trip to the snowcapped mountains of Colorado for their annual couple’s retreat. The drama completely hinges on the marital problems of the four upscale couples.
Yet, Perry seems to lay the blame for each couple’s problems squarely on all four women, who are portrayed as the sources of their husbands’ miseries. As we see in the trailer below, Diane is overworked, Sheila is overweight, Angela is over the top, and Patricia is overly perfect.
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So, the general message of the film seems to be, if only the women would “open up,” or “lighten up,” or “put your husband’s wants over your own,” and, of course, the classic “lose all that weight,” wedded bliss would be theirs.
This is, despite the fact that three of the men have cheated on their wives, and the only man who remained faithful is mocked as “gay” by the others. But it is assumed, of course, that the women probably drove their husbands to fuck around on them.
Somehow, it doesn’t surprise me that Perry, who has made his fame from mocking women (i.e. Madea), would degrade other women for wanting such novel things such as careers, independence, and even more shocking, respect.
What’s even more ironic is that Perry’s film is, albeit stereotypically, a chick flick.
Probably Perry’s saddest characterization is in his portrayal of Sheila, as played by Jill Scott in a fat suit. Sheila fears her marriage with Mike is in trouble, and blames most of this to her 80-pound post-marital weight gain. Mike, played by Richard T. Jones, is, quite frankly, a dick, whose entire dialogue consists of fat jokes aimed at Sheila.
But in case Mike’s fat jokes fall short, Perry emphasizes just how truly fat Sheila is in a scene aboard a plane. After a white man (one of the only white characters shown) complains, Sheila is asked to leave the crowded airplane “because someone her size has to purchase two tickets.” This, of course, leaves Mike with Sheila’s good friend Trina, with whom he is having an affair.
At her husband’s direction, Sheila then obediently rents a car and drives from Georgia to Colorado, arriving a full day late. Mike immediately launches into a tirade of fat jokes, while Sheila laments to her friends she can save her marriage if she can just lose 50 or so pounds.
*Spoiler alert*
The second part of the film shows the couples a year later. Mike and Sheila have broken up; he’s since married Trina, but resents her excessive spending. Mike secretly confesses that he misses Sheila, when who should appear but a newly slim and svelte Sheila, with her new fiancee Troy.
In losing weight, Sheila miraculous seemed to find a backbone. Yet Perry portrays Sheila as glowing and happy, not because she ditched her arrogant, narcissistic, self-absorbed husband, but because she’s lost weight.
While it’s refreshing to see an all black cast in a movie that isn’t based on tired black stereotypes, it’s disheartening to see that degrading successful women, making fun of fat people, and using gay-bashing as an impetus for male bonding still results in box office gold.








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